'Probably White is a fusion of artisanal ceramics with contemporary approach. The developed line Siramiki represents the merge of hand crafted ceramics with graceful Arabic calligraphy.” Calligraphy by Vasily Kassab, a porcelain master Reia-performance. 'Probably White is a fusion of artisanal ceramics with contemporary approach. The developed line Siramiki represents the merge of hand crafted ceramics with graceful Arabic calligraphy.” Calligraphy by Vasily Kassab, a porcelain master Reia-performance.

New. 

nugamshi:

جميل يحب الجمال..

“Jameel” arabic word means “beautiful”. in my own methodology


#calligraphy #calligraffiti #schoonschrift

Qashif Masud
Verily, in the remembrance of Allah do hearts find rest(13:28)
The wood used is a slice from an oak tree. Burr’s are very rare and this Pippy burr oak is no exception. The calligraphy wood is Native Ash and American Danto. Qashif Masud
Verily, in the remembrance of Allah do hearts find rest(13:28)
The wood used is a slice from an oak tree. Burr’s are very rare and this Pippy burr oak is no exception. The calligraphy wood is Native Ash and American Danto. Qashif Masud
Verily, in the remembrance of Allah do hearts find rest(13:28)
The wood used is a slice from an oak tree. Burr’s are very rare and this Pippy burr oak is no exception. The calligraphy wood is Native Ash and American Danto.

Qashif Masud

Verily, in the remembrance of Allah do hearts find rest(13:28)

The wood used is a slice from an oak tree. Burr’s are very rare and this Pippy burr oak is no exception. The calligraphy wood is Native Ash and American Danto.

ashrooof:

صباحكم سكر .. بالخط السنبلي  للخطاط عبد العزيز الرشيدي

brownguymakesart:

An-Nafs - The Crossroads of Human Disposition & CalligraphyNumber 4 of 5 from my series “The Crossroads of Calligraphy and Human Disposition”. We all deal with desires, and personally the best way I’ve found to deal with them is to chip away at them one by one; a reminder to myself first. Growth is never a stagnant process. Inspired by one of my favorite rapper’s quotes, “Take all the ugly <explicit> inside and try to make it beautiful.”I’m thankful to have this piece featured on my college campus recently, and it was also one of the first ones sold!
Prints / iPhone covers for sale on my Society 6 at http://society6.com/asimkhan
Process and detail can be found on my portfolio page at http://www.behance.net/gallery/Nafs-(Desire)/8019471
brownguymakesart:

An-Nafs - The Crossroads of Human Disposition & CalligraphyNumber 4 of 5 from my series “The Crossroads of Calligraphy and Human Disposition”. We all deal with desires, and personally the best way I’ve found to deal with them is to chip away at them one by one; a reminder to myself first. Growth is never a stagnant process. Inspired by one of my favorite rapper’s quotes, “Take all the ugly <explicit> inside and try to make it beautiful.”I’m thankful to have this piece featured on my college campus recently, and it was also one of the first ones sold!
Prints / iPhone covers for sale on my Society 6 at http://society6.com/asimkhan
Process and detail can be found on my portfolio page at http://www.behance.net/gallery/Nafs-(Desire)/8019471
brownguymakesart:

An-Nafs - The Crossroads of Human Disposition & CalligraphyNumber 4 of 5 from my series “The Crossroads of Calligraphy and Human Disposition”. We all deal with desires, and personally the best way I’ve found to deal with them is to chip away at them one by one; a reminder to myself first. Growth is never a stagnant process. Inspired by one of my favorite rapper’s quotes, “Take all the ugly <explicit> inside and try to make it beautiful.”I’m thankful to have this piece featured on my college campus recently, and it was also one of the first ones sold!
Prints / iPhone covers for sale on my Society 6 at http://society6.com/asimkhan
Process and detail can be found on my portfolio page at http://www.behance.net/gallery/Nafs-(Desire)/8019471
brownguymakesart:

An-Nafs - The Crossroads of Human Disposition & CalligraphyNumber 4 of 5 from my series “The Crossroads of Calligraphy and Human Disposition”. We all deal with desires, and personally the best way I’ve found to deal with them is to chip away at them one by one; a reminder to myself first. Growth is never a stagnant process. Inspired by one of my favorite rapper’s quotes, “Take all the ugly <explicit> inside and try to make it beautiful.”I’m thankful to have this piece featured on my college campus recently, and it was also one of the first ones sold!
Prints / iPhone covers for sale on my Society 6 at http://society6.com/asimkhan
Process and detail can be found on my portfolio page at http://www.behance.net/gallery/Nafs-(Desire)/8019471

brownguymakesart:

An-Nafs - The Crossroads of Human Disposition & Calligraphy
Number 4 of 5 from my series “The Crossroads of Calligraphy and Human Disposition”. We all deal with desires, and personally the best way I’ve found to deal with them is to chip away at them one by one; a reminder to myself first. Growth is never a stagnant process. Inspired by one of my favorite rapper’s quotes, “Take all the ugly <explicit> inside and try to make it beautiful.”

I’m thankful to have this piece featured on my college campus recently, and it was also one of the first ones sold!

Prints / iPhone covers for sale on my Society 6 at http://society6.com/asimkhan

Process and detail can be found on my portfolio page at http://www.behance.net/gallery/Nafs-(Desire)/8019471

Interior arabic calligraphy.
sparrowbh:

Beauty of Letters
Aesthetics of Arabic characters and the ability to flow, with the creative format.
Interior arabic calligraphy.
sparrowbh:

Beauty of Letters
Aesthetics of Arabic characters and the ability to flow, with the creative format.
Interior arabic calligraphy.
sparrowbh:

Beauty of Letters
Aesthetics of Arabic characters and the ability to flow, with the creative format.
Interior arabic calligraphy.
sparrowbh:

Beauty of Letters
Aesthetics of Arabic characters and the ability to flow, with the creative format.
Interior arabic calligraphy.
sparrowbh:

Beauty of Letters
Aesthetics of Arabic characters and the ability to flow, with the creative format.
Interior arabic calligraphy.
sparrowbh:

Beauty of Letters
Aesthetics of Arabic characters and the ability to flow, with the creative format.
Interior arabic calligraphy.
sparrowbh:

Beauty of Letters
Aesthetics of Arabic characters and the ability to flow, with the creative format.
Interior arabic calligraphy.
sparrowbh:

Beauty of Letters
Aesthetics of Arabic characters and the ability to flow, with the creative format.
Interior arabic calligraphy.
sparrowbh:

Beauty of Letters
Aesthetics of Arabic characters and the ability to flow, with the creative format.
Interior arabic calligraphy.
sparrowbh:

Beauty of Letters
Aesthetics of Arabic characters and the ability to flow, with the creative format.

Interior arabic calligraphy.

sparrowbh:

Beauty of Letters

Aesthetics of Arabic characters and the ability to flow, with the creative format.

هش, CAI GUO-QIANG, Fragile, 2011

Gunpowder on 480 panels of porcelain, 380 × 1800 cm


In the middle of the square in an old garden, “the Words” are embracing the space. “The Space” which is accessible to everyone, to pass through or pause for a moment; and experience being surrounded by “dancing words” and Persian Shekasteh-Nasta’liq calligraphy. You might find a familiar verse, which certainly adds to the experience, if not, “dance of words”, “Persian calligraphy”, “Rumi’s poems” and you will harvest the mirth Rumi’s poems dance around the center, just like the Sufis. And that’s all.
Young Iranian architects, Saeed Saraie and Mani Sadraei have won the third prize in the Monument to Shams-e Tabrizi Competition in September 2008.
“In order to create a space to commemorate the culmination of joy between two people in the 13th century, we could not find a better object than Rumi’s poems” the designing architects say.Written by Iman Raad

  
In the middle of the square in an old garden, “the Words” are embracing the space. “The Space” which is accessible to everyone, to pass through or pause for a moment; and experience being surrounded by “dancing words” and Persian Shekasteh-Nasta’liq calligraphy. You might find a familiar verse, which certainly adds to the experience, if not, “dance of words”, “Persian calligraphy”, “Rumi’s poems” and you will harvest the mirth Rumi’s poems dance around the center, just like the Sufis. And that’s all.
Young Iranian architects, Saeed Saraie and Mani Sadraei have won the third prize in the Monument to Shams-e Tabrizi Competition in September 2008.
“In order to create a space to commemorate the culmination of joy between two people in the 13th century, we could not find a better object than Rumi’s poems” the designing architects say.Written by Iman Raad

  
In the middle of the square in an old garden, “the Words” are embracing the space. “The Space” which is accessible to everyone, to pass through or pause for a moment; and experience being surrounded by “dancing words” and Persian Shekasteh-Nasta’liq calligraphy. You might find a familiar verse, which certainly adds to the experience, if not, “dance of words”, “Persian calligraphy”, “Rumi’s poems” and you will harvest the mirth Rumi’s poems dance around the center, just like the Sufis. And that’s all.
Young Iranian architects, Saeed Saraie and Mani Sadraei have won the third prize in the Monument to Shams-e Tabrizi Competition in September 2008.
“In order to create a space to commemorate the culmination of joy between two people in the 13th century, we could not find a better object than Rumi’s poems” the designing architects say.Written by Iman Raad

  
In the middle of the square in an old garden, “the Words” are embracing the space. “The Space” which is accessible to everyone, to pass through or pause for a moment; and experience being surrounded by “dancing words” and Persian Shekasteh-Nasta’liq calligraphy. You might find a familiar verse, which certainly adds to the experience, if not, “dance of words”, “Persian calligraphy”, “Rumi’s poems” and you will harvest the mirth Rumi’s poems dance around the center, just like the Sufis. And that’s all.
Young Iranian architects, Saeed Saraie and Mani Sadraei have won the third prize in the Monument to Shams-e Tabrizi Competition in September 2008.
“In order to create a space to commemorate the culmination of joy between two people in the 13th century, we could not find a better object than Rumi’s poems” the designing architects say.Written by Iman Raad

 

A Monument to Shams-e Tabrizi

In the middle of the square in an old garden, “the Words” are embracing the space. “The Space” which is accessible to everyone, to pass through or pause for a moment; and experience being surrounded by “dancing words” and Persian Shekasteh-Nasta’liq calligraphy. You might find a familiar verse, which certainly adds to the experience, if not, “dance of words”, “Persian calligraphy”, “Rumi’s poems” and you will harvest the mirth Rumi’s poems dance around the center, just like the Sufis. And that’s all.

Young Iranian architects, Saeed Saraie and Mani Sadraei have won the third prize in the Monument to Shams-e Tabrizi Competition in September 2008.

“In order to create a space to commemorate the culmination of joy between two people in the 13th century, we could not find a better object than Rumi’s poems” the designing architects say.
Written by Iman Raad